photocopies
Found in 13 Collections and/or Records:
About Cummington Press -- Berkshire Evening Eagle article 1955, 1955
About Cummington Press -- Methods of Book Design excerpt 1956, 1956
Photocopies of the title page and two unnumbered pages from the book "Methods of Book Design: The Practice of an Industrial Craft," by Hugh Williamson, London: Oxford University Press, 1956. The two pages comprise Figure 49 of "Methods of Book Design" and reproduce pages 10 and 9 (in that order) from Five Prose Pieces (Cummington Press, 1947), showcasing Wightman Williams's "unconventional book illustration" and analyzing Duncan's page format.
About This Collection -- Flamer Inventory, circa 2010s?
Bertha Mengedoht Hatz Collection
Small collection consisting of reproduced documents pertaining to Bertha Mengedoht Hatz, arts patron and donor to the University of Omaha. Items in the collection include family photographs, newspaper clippings relating to Hatz’s donations and her 1963 postmortem endowment to the University of Omaha, a photograph of Hatz’s donated items on display, and a photocopy of Hatz’s last will and testament.
Blackberry Winter -- Photocopies of illustrations, circa 2010s
Color photocopies of the front cover, title page, and each illustrated page from the book Blackberry Winter, by Robert Penn Warren (1946). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.
Esthétique du Mal -- Photocopies of illustrations, circa 2010s
Color photocopies of the front cover, title page, and each illustrated page from the book Esthétique du Mal, by Wallace Stevens (1945). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.
Five Prose Pieces -- Photocopies of illustrations, circa 2010s
Color photocopies of all illustrated pages from the book Five Prose Pieces, by Rainer Maria Rilke (1947). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.
From This Hill -- Information about 1940 Volume, 1940
Black and white photocopy of the 1940 annual volume of From This Hill, a collection of eleven poems and a short story, with contributions from Margaret Currier, Harry Duncan, Raphael Hayes, Harriet Anderson, Jane Gray Ward, and Samuel French Morse. Of the 217 copies of this book originally printed, 200 were destroyed by mutual agreement of the contributors. This is a reproduction from the Xerox copy of Jack Hagstrum, with descriptions of pages and a color photograph of cover.
From This Hill -- Information about 1941 Volume, 1941
Genesis -- Photocopies of illustrations, circa 2010s
Color photocopies of the title page and each illustrated page from William Blake's Genesis (Cummington Press, 1952). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.
The Hovering Fly -- Photocopies of illustrations, circa 2010s
Color photocopies of all illustrated pages from the book The Hovering Fly, by Allen Tate (1949). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.
Three Academic Pieces -- Photocopies of illustrations, circa 2010s
Color photocopies of all illustrated pages from the book Three Academic Pieces, by Wallace Stevens (1947). The full text of the book is not included. The copies are made in compliance with fair use doctrine, solely for use as an aid to identification and contextualization of Wightman Williams's original artworks in the Mary L. Richmond collection.